Showing posts with label Daniel Taylor. Show all posts
Showing posts with label Daniel Taylor. Show all posts

Saturday, January 21, 2012

House Concert

House Concert by susanvg
House Concert, a photo by susanvg on Flickr.
A house concert is a wonderful experience; there is an intimacy you don't get in churches or concert halls. I went to a benefit concert on behalf of Les Voix Humaines. They are raising money to pay for the viola da gambas they had made by Pierre Charette and Hélène Cossette. Not only did I hear music played by Les Voix Humaines, but they were joined by lutenist, Sylvain Bergeron, soprano, Hélène Brunet and countertenor, Daniel Taylor.  Here is one of the songs he sang: O waly, waly, accompanied by Sylvain Bergeron.

What a treat! And, of course, we got to hear the new viols. Carving on Viola da Gamba
Back of the Tenor Viol



Carving on Viola da Gamba 2

Viol Head in profile (a young Charles I of England)


I first met this viol in November when I was at a meeting at Susie Napper's house. You can learn more about the process of making a viol here.

Sunday, January 17, 2010

Jan16/10: Taking a Bow


Jan16/10: Taking a Bow, originally uploaded by susanvg.

As anyone who reads this blog knows, I am passionate about music and early music in particular. A concert with one of my favourite groups, Ensemble Caprice, with Daniel Taylor as the guest was certainly a highlight. I have watched the careers of both the ensemble and Taylor for a number of years. I first heard Dan Taylor in about 1989 when he sang at CAMMAC, the music camp I go to most summers. He was a student at McGill and came up with some other students to do a concert. It was my first introduction to a counter tenor and I was smitten. His voice had and still has a purity that I find moving and remarkable. Since that time I have heard him in many venues (often in this church) and with a variety of groups. He now has an international career, singing all over the world with many early music ensembles and opera companies.
I first met the members of Ensemble Caprice at CAMMAC, as well. The wonderful part of the early music community here, is that the musicians and audience have many opportunities to interact. In many cases, these are not just performers for me, they are friends.

They should all take a bow for their many accomplishments. I know my life is far richer each time they share their talents.