Sunday, April 21, 2013
The Old and the New
Monday, October 17, 2011
Harpsichord Keys
We played through the afternoon - Corelli, Quantz and Bach. It keeps my brain flexible as I switch recorders depending on the piece - my alto in A, my voice flute in D. But mostly, playing music fills my soul with joy. A little house music - making our own - not just consuming it.
Monday, July 11, 2011
Overlooking the Lake
Despite the busy schedule there are quieter spots to sit - though the sound of people playing or practicing often wafts through the air. Fortunately there is quiet hour from 2:00 - 3:00 when everything stops.
Evening concerts are first class with some of Canada's top early music specialists. And every day we get to take classes with these incredible people
Some CDs you might want to get to hear some of these wonderful musicians:
Ensemble Caprice: Salsa Baroque, Telemann and the Baroque Gypsies and any others!
Les Boréades: Their most recent is La Geniale - but all are delightful
Geneviève Soly: if you like harpsichord music - she is a specialist in the music of Graupner
Laura Pudwell: she has recorded with the Toronto Consort as well as with other ensembles
Olivier Brault (the violinist pictured above) can be heard with Ensemble Caprice, Quatuor Franz Joseph, Les Boréades. He is an astonishingly versatile and virtuosic violinist.
Thursday, July 7, 2011
Music on the Balcony
Music in nature - what can be better?
Monday, March 14, 2011
Musical Window
Should that be true, he was looking down on a concert of music by his son, C.P.E. Bach whose music has echoes of his father's, but in a very different style. A young harpsichordist, Mahan Esfahanis directed the orchestra from the harpsichord and then played incredibly.
Learn about him here.
Sunday, February 20, 2011
Music music
There is no doubt - a big part of my culture is baroque music - playing it (alone or with friends), listening at home or going to concerts. Here are just a few of the CDs my spouse and I own. Many are by Montreal artists.
Wednesday, November 17, 2010
Belle Danse
The dancers were delightful, costumes were sumptuous and the music was lovely. Altogether - a feast!
Monday, September 20, 2010
Montreal Recorder Festival
Four days of musical adventure, from lectures on playing Renaissance music to concerts, to classes... Astonishing concerts by the Renaissonics, Ensemble Caprice with two violinists from Rebel and a new find for me - Horacio Franco. Virtuosity, originality and wonderful, personal interpretation of the music
And the festival is about connecting and reconnecting with people who love music the way I do. My Toronto friends come to stay and we enjoyed the festival together. And this time I reconnected with a teacher who had once come up to coach us on playing Renaissance dance music. It's always good to learn and relearn. Each time you are exposed to ideas the understanding is deeper and more can be integrated. As a result of the weekend of workshops I have new goals and musical ideas to work on. It's amazing how you can feel tired and rejuvenated at the same time.
So here are my new resolutions
- spend some time improvising on simple melodies or chord progressions
- spend some time practicing patterns for ornamentation so they become part of my repertoire
- play around with music more
- play more Renaissance music and look at the words and phrases - let the recorder speak the text
These are thanks to John.
But mostly - play, play and play as music is a language that transcends other languages and lets us speak from the heart.
If you haven't heard the Renaissonics click here and select a piece.
Monday, June 28, 2010
June 27/10: Il Ritorno d'Ulisse in Patria
Another Old Montreal find, the afternoon concert, Amor, Fortuna y Ventura, Spanish Renaissance music played by flute trio, Dyscantus, was held in the garden of the Pierre du Calvet Hotel. The trio played on matching flutes made by Boaz Berney, who was also a member of the group. Birds added to the soundtrack.
June 27/10: Il Ritorno d'Ulisse in Patria, originally uploaded by susanvg.
Monteverdi's opera, Il Ritorno d'Ulisse in Patria was performed in the atrium of a shopping area. The acoustics were too resonant and the fountain did not enhance the opera. But this was quite a spectacle! The musicians of the festival were joined by the Bread and Puppet Theater which provided the action to the musicians' voices. From the website "Monteverdi’s last opera: a story of the magic of the ancient Gods who play with the fate of humankind, their puppets!" It was close to three hours of glorious music, delightful puppets - a mix of historical performance, serious issues and a large dollop of humour.
Saturday, September 19, 2009
Day 260: Before the Concert
Flutissimo's tenth anniversary concert took place at Tanna Schulich Hall at McGill University. We shared the stage with a professional viola da gamba ensemble, Les Voix Humaines. What a thrill to share a concert with these incredible musicians. My seat was next to them so I felt I had a private concert each time it was their turn to play.
I go to many concerts and know many of the early music performers in Montreal. It is interesting to play in such a professional space and feel, just a bit, some of what they face in their concerts. To live the dress rehearsal, when things go wrong, to face the nerves, to experience the feeling of the audience and then the exhilaration after the concert is to glimpse into their realities. I wouldn't want to live it on a regular basis, but it was sure fun for an evening....
....and by the way - the concert went very well.
Friday, September 4, 2009
Day 246: Cello
This cello belongs to a friend of mine, a professional cellist. It was made in China. She has told me that the Chinese are making wonderful instruments now, that they will become the predominant instrument makers.
She, like me, has someone in her family who is over 100; in her case it is her mother. When her mother was still living at home, H. and I used to play together to entertain her. What a privilege to have a professional accompany me while I played sonatas. Now that her mother is in a nursing home, we have decided to prepare a little concert to entertain the residents, so instead of just sight-reading through music, we are working on a few pieces. While I have to practise to get all the fingering fluid, she has been adapting her playing to baroque music, which is quite different stylistically from what she usually plays. So Vivaldi, Barsanti, Handel - your music will bring pleasure, yet again.